个人简历：

梅则伟，寒香斋主人，一九五九年生于浙江绍兴市，祖籍浙江温州。

人民美术艺术家委员会委员，国际美术家联合会中韩文化艺术专家委员，中国书法家协会浙江会员，中国硬笔书法家协会会员，浙江杭州宋城画院副院长，浙江省国侨书画院研究员，浙江日报之江书画院画师，宁波市书协对外交流委员会副主任，宁波美术家协会会员，原政协宁波市海曙区一届、二届、三届委员，原宁波市海曙美术家协会副主席，浙江千手书画院副院长，宁波市收藏家协会书画专委会主任，原《宁波晚报》美编。

书画艺术作品多次在全国及国际性书画大赛中获奖。书画作品分别在全国政协礼堂、中国美术馆、中国历史博物馆、中国人民军事博物馆、宁波美术馆、天津美术馆、宁波天一阁博物馆及北京、香港、台湾、杭州、上海等地博物馆展出。作品流传奥地利、日本、韩国、法国、比利时、澳大利亚等国，部分作品被国际友人收藏，多幅作品在报刊上发表，被誉为“江南一枝梅”。

Resume:

Mei Zewei, the owner of Hanxiang Zhai, was born in 1959 in Shaoxing city, Zhejiang Province.

People's fine arts artists committee, international culture and art to China and South Korea artists association expert committee, member of Chinese calligrapher's association, zhejiang, Chinese hard-pen calligrapher's association, member of zhejiang hangzhou songcheng, vice President of the academies, the researcher at the Chinese painting of zhejiang province, zhejiang daily, zhijiang academy painters, ningbo calligrapher, deputy director of the foreign exchange, ningbo artist association member, Former CPPCC haishu District, Ningbo city, the first, the second, the third session of the committee, the former Ningbo Haishu Artists Association vice chairman, Zhejiang Thousand hands painting and Calligraphy institute vice president, Ningbo Collectors Association painting and calligraphy special committee director, the former "Ningbo Evening News" art editor.

His works of painting and calligraphy have won many prizes in national and international painting and calligraphy competitions. Paintings and calligraphy works are exhibited in the Auditorium of the National Committee of the Chinese People's Political Consultative Conference, The National Art Museum of China, the Museum of Chinese History, the Chinese People's Military Museum, Ningbo Art Museum, Tianjin Art Museum, Ningbo Tianyi Pavilion Museum and museums in Beijing, Hong Kong, Taiwan, Hangzhou, Shanghai and other places. His works have spread to Austria, Japan, South Korea, France, Belgium, Australia and other countries, some of his works have been collected by international friends, and many of his works have been published in newspapers and magazines, known as "Jiangnan Yizhimei".

1987年参加“中日首届硬笔书法大展”，在中国历史博物馆（现国家博物馆）展出，并赴日本东京、大阪等地巡展，被日本书道永久收藏。

1997年参加“庆祝香港回归”全国新闻界书画大展并获奖，在中国美术馆隆重展出，并赴港澳地区展出。

2004年9月作为特邀嘉宾参加“庆祝人民政协成立55周年书画展”，作品与启功、吴冠中、白雪石、欧阳中石、沈鹏、李铎、何家英等国内艺术大师名作一起在全国政协礼堂展出，并出版了大型书画精品集《艺苑竞秀》（八开）。

书画作品选入《当代书画篆刻家辞典》《中国当代书法家辞典》《当代青年书法家百人集》《世界华人书画作品集》《二十世纪中华掇英书法篆刻集粹》《中国地方政协委员扇面作品集》《百年经典——中国美术大全》《宁波书画》《艺苑竞秀》《四明风》等五十余部大型画册。

In 1987, he participated in the "First Sino-Japanese Hard pen Calligraphy Exhibition", which was exhibited in the Museum of Chinese History (now the National Museum of China), and toured to Tokyo, Osaka and other places in Japan, and was permanently collected by The Japanese Shodo.

In 1997, he participated in the national press painting and calligraphy Exhibition "Celebrating the Return of Hong Kong" and won the prize, which was exhibited in the National Art Museum of China and exhibited in Hong Kong and Macao.

September 2004 as a special guest to participate in the "celebration of the 55th anniversary of the founding of the People's Political Consultative Conference painting exhibition", works and Qi Gong, Wu Guanzhong, Bai Xueshi, Ouyang Zhongshi, Shen Peng, Li Duo, He Jiying and other domestic masters of art together in the auditorium of the National People's Political Consultative Conference, and published a large collection of fine paintings and calligraphy "Art Garden Competition show" (eight open).

Calligraphy and painting works for "contemporary painting and calligraphy seal cutting dictionary", "Chinese contemporary calligrapher's dictionary of contemporary youth calligrapher's one hundred" the world of Chinese painting and calligraphy works "of the 20th century Chinese Duo English calligraphy seal cutting highlights" the China local CPPCC sector works of the classic one hundred - China fine arts "ningbo calligraphy and painting" the competing show, broadcast daily "siming wind" and so on more than 50 large The picture album.

2014年至2016年连续三年参加“全国花鸟画名家邀请展”，作品在天津美术馆隆重展出。

2016年参加中日韩三国“水墨艺术展”（由宁波市人民政府主办），同年参加“宁波著名书画家作品展”。

2019年参加献礼中华人民共和国成立70周年“画者文脉”全国书画名家邀请展，作品在北京民族文化宫隆重展出。

2020年参加中央电视台教育频道《泼墨中华情》春晚书画现场创作展播。

2021年6月为庆祝建党百年，受中央电视台《文化强国》栏目组之约，十余件书画作品入选大型精美画册《建党百年全国首批历史文化传承人》，并被授予“建党百年全国首批国画传承人”荣誉称号。

From 2014 to 2016, he participated in the "National Flower and Bird Painting Masters Invitational Exhibition" for three consecutive years, and his works were grandly exhibited in Tianjin Art Museum.

In 2016, he participated in the "Ink Art Exhibition" of China, Japan and South Korea (sponsored by Ningbo Municipal People's Government), and in the same year, he participated in the "Ningbo Famous Calligrapher and Painter Exhibition".

In 2019, he participated in the national painting and calligraphy Masters invitational exhibition "Painter's Context", a tribute to the 70th anniversary of the founding of the People's Republic of China, and his works were grandly exhibited in Beijing Ethnic Culture Palace.

In 2020, he participated in the live creation exhibition and broadcast of Painting and calligraphy in the Spring Festival Gala of Splashing Ink on Chinese Love by CCTV Education Channel.

In June 2021, in order to celebrate the centenary of the founding of the Communist Party of China, more than ten paintings and calligraphy works were selected into the large-scale exquisite album "The First Batch of National Historical and cultural Inheritors of the Centenary of the Founding of the Communist Party of China", and were awarded the honorary title of "the first batch of National Traditional Chinese painting inheritors of the centenary of the Founding of the Communist Party of China".

作品赏析：

Appreciation of works:

胸中有大义 笔下有乾坤

——记著名画家梅则伟

梅、兰、竹、菊都具有高洁坚贞之品格、飘逸清雅之姿质，故以君子为喻。在中国传统花鸟画里，艺术家们用笔墨在纸上呈现出栩栩如生的梅兰竹菊形象，这些艺术化了的植物，不但比自然中的更加典型、生动，而且被赋予了人的品格精神。梅兰竹菊四君子，如此有内涵的题材，是古今画家笔下的常客，自古至今擅长画梅兰竹菊的画家不在少数，梅则伟先生就是其中之一。 人生不易，一路坎坷，一路芬芳，梅花精神。

“墙角数枝梅，凌寒独自开。遥知不是雪，为有暗香来。” 王安石的这首《梅花》表达了追求梅花独立、清高、与世无争的品性。在甬城就有这么一位用“傲骨虚心竹有低头叶，傲骨梅无仰面花”来形容他谦虚温谨的性格的书画艺术家—梅则伟。梅则伟姓梅，尤其擅长画梅花，是寒香斋主人，在他的作品中，梅枝古朴苍劲，梅花娇艳欲滴，表达了凌寒傲霜、自强不息的民族精神。原国家文物鉴定委员会副主任、中国收藏家协会会长史树青，曾为梅则伟亲题“江南一枝梅”。

梅则伟，上世纪50年代末出生于绍兴一个书香之家。父亲梅尚白是位画家，擅山水、松鹤、梅花、虎等，笔墨生动，独树一帜，作品被刊入《中国画集》等十几部大型画册，个人传略入编《百年经典——中国美术大全》等十多部辞书。从小受到父亲艺术创作的感染，5岁起，梅则伟手握毛笔，开始在白纸上涂涂抹抹。父亲手把手地教他操练基本功，楷书、隶书、魏碑，一笔一捺，一丝不苟；石、树、竹、草、屋、人，按照《芥子园画谱》一项项地临摹。

从上世纪70年代起，梅则伟开始大量临摹唐伯虎、徐渭、王冕、石涛等古代名家画作；吴昌硕的以书入画，陆俨少的沧桑山水，齐白石的写意花鸟，关山月的山水梅花.....令年轻的梅则伟叹赞不已。“以众多大师为楷模，虽没有专门拜某画家为师，但博采众长，吸收各家之精华，领悟传统笔墨精神，追寻创作出自己独特的画风。”梅则伟说。

梅，剪雪裁冰，一身傲骨

“不经一番彻骨寒，哪得梅花扑鼻香”，梅花在瑞雪飘飘之时开放，不畏严寒，素有“梅花本是神骨，落在人间品自高”的美誉。因梅花开放有五个花瓣，同时也有梅开五福的美好意图！

梅则伟先生既是丹青的实践家，也是画论推陈出新的学者派，诸题皆成，博涉多优，具有文人修为，赋词善诗，创作花鸟必然是画品丹青美，题跋诗韵赋，花鸟作品富有诗中有画、画中有诗的田园情味。他用心用情去描绘自然生灵的精妙形态神态，讲叙热爱生活独与天地精神往来的心灵感触，笔之所兴，皆因有爱。爱生活爱自然的笔墨要诀，恰与齐白石画虫草册页、画瓜果白菜的境界一脉相承！

许多花鸟画因为过度强调文人戏墨的自悦价值，所以从大众文化传播的层面来看，过度戏墨就会让花鸟趋向小众审美的狭窄境遇，让中国画的审美意象与大众产生脱节的距离。当代著名画家梅则伟先生却有笔墨当随时代的文化塑造力，他致力于把文人戏墨的花鸟创作，从小众范围重新推向大众审美视野。经过不懈的努力，他功成卓越，成为被广泛称赞认可丹青大家。

他的花鸟作品特别强调境界的塑造，也相当关注气韵的生成，完全避免了画法的程式化制造，全面铺陈开了师造化得心源的创作机理，所以画质绝无匠工的呆板，全然是艺术天工的神采菲然。他的花鸟画之所以有境界，有气韵，观感生动，根本的原因在于他是一位有艺术思想的前辈，画画不仅是“画”，还是思想的“修”，所以梅兰竹菊牡丹这些自然物象，经由思想的介入，成为表现审美的正能量，真实把梅兰竹菊画出君子品格，画出了陶冶情操的意象。

他画有境界的花鸟作品，走过了一条心修入画的漫长路径，无论是技法还是画品，都不一蹴而就，必是坚定不移的探索追求，以仁修入画品，用德的积累促进艺的大成，经历数十年的磨砺，终于拥有了今朝大成，所以画梅兰竹菊，与其说是画物象，不如说是画自心，梅的自强，兰的馨韵，竹的气节，菊的淡雅，这些性状，何尝不是艺术家的品质呢？他的花鸟画，就多出了抒情的色彩，也拥有了文化寓意的品格，观画而识人知品，这就是他的花鸟画与大众审美保持顺畅沟通的审美法则。

花鸟的气韵核心是生动有趣，有趣味则为佳品，无趣味则为俗质。梅则伟先生的花鸟作品借助画面的诉事情节，表现人的情思与情怀，抒情寄意的主动性非常强，流畅的笔法，流丽的色赋，全然是对境造意的生动指向，用笔法的劲道借物抒怀，用色不碍墨墨不碍色的层次表达情思透彻，花鸟如歌，也如诗赋，淳朴而灵性的画面意趣，正是当代画坛的气韵珍宝。这种气韵生动，趣味盎然的花鸟作品，观赏可以陶冶情操，收藏可期价值！

梅兰竹菊君子风，气韵生动意趣功。梅则伟先生用水墨写意，用重彩绘象，墨彩兼容，能工善写，整整斜斜，笔墨快意洒脱，心游物象外，法设形似功，把畅快淋漓的手法与隽雅洒脱的心法交融在一起，清新俊雅地表达着当代艺术家夺造化而移精神遐想的情操，成为用丹青影响世人志趣与身修的大手笔，齐门贤才，不辱使命！

宣德道情文乃贵,明微谨始礼为宗。 艺术是空灵的,也是内心的, 莫道尺幅小,眼角天地宽。在梅则伟先生的作品里,每一幅作品都记录着一个时代,见证着一段历史,举起爱国主义精神传承的火炬;诉说文化的传承,创作一幅作品,表达一种演绎,镌刻着老一辈艺术家在“不忘初心,牢记使命”总战略引领下加快实现中华民族伟大复兴的坚实步伐。

浩瀚墨海,博大深邃,书道浪激,舟楫难济,数千年来,泛舟荡浆、争流奋进者后继不绝,期间有畏难而返、半途而废者,有折戈沉沙、沦为没迹淹踪者。尽曾这是一条艰难的路,但却有不少持恒誓者登堂入室,他们笔光闪耀,成了墨海的亮点、书坛的魁星,历史证明,这既是先贤们走向艺术殿堂的成功之路,也是后学者唯一的必经之路。梅则伟先生锐志持恒,在墨海激荡几十余载,他的笔光不仅耀映到艺术奥堂的宫阙,亦在奋力冲刺的历程中留下不少辉煌。

书画评论家曹扬2021,10