艺术家刘明华
个人简历：
刘明华，笔名：卓然。诗人，著名山水画家，著名理论家。1958年出生于广东饶平。1974 年参加工作，1978 年参军入伍，1980 年参加海军广州基地美术培训班专业进修。一贯喜欢读书游历，重视素养，有好思想内涵与较高的理论水平。其多次参加国内外书画展，并荣获各大奖项。多幅作品被港澳台、日本、韩国、新加坡、马来西亚、欧美等国内外友人收藏，备受广泛关注及享有盛名。
潜心诗画，痴好画松，一松一世界。游于世外，心静境自静。因出色的艺术造诣和艺术成就，中央电视台华人频道《环球潮人》栏目以《画松能手刘明华》专题访谈。人民日报全媒体平台巜袭古创今》栏目组为之录制专题纪录片巜描绘古老松柏，讴歌不朽精神》并加以推播。
2013年5月初在友军的支持下于天津六号院展馆主办了《韩水瑶光》潮籍书画家作品展。于2016 年7月中旬在解放军政治工作部北京沙河培训基地参加由中集邮、大众文化学会工艺美术专业委员会主办的中國共产党成立95周年翰墨丹青耀中华书画作品展暨纪念邮册首发活动。2019年国庆节前后曾二次在北京民族文化宫参加“庆祝中华人民共和国成立70 周年”画展。
经多年来的不断努力，其作品恢宏洒脱，气韵生动，满纸云烟，浑然天成。博众家之所长，悟大师真谛，苦研心法。游历名山大川，承天地之灵气，接山水之精华。刘明华先生的潜在力量是无限的，历年勤奋为中国当代书画界留下的墨迹，将随着时间的推移而逐渐呈现出巨大的艺术价值。
Biographical information:
Liu Minghua, pseudonym: Zhuo Ran. Poet, famous landscape painter, famous theorist. Born in 1958 in Guangdong Raoping. In 1974, he joined the army in 1978, joined the Navy Guangzhou base art training course professional learning in 1980. Always like reading travel, pay attention to literacy, good ideological connotation and high theoretical level. He has participated in many domestic and foreign painting exhibitions and won major awards. Many works by Hong Kong, Macao, Taiwan, Japan, Korea, Singapore, Malaysia, Europe and the United States and other domestic and foreign friends collection, received wide attention and prestigious.
Dedicated to poetry and painting, crazy good painting pine, a pine a world. Swim in the world, the mind is quiet. Because of outstanding artistic attainments and artistic achievements, CCTV Chinese channel "Global Trendsetter" column with "painting pine expert Liu Minghua" special interview. The People's Daily All-Media Platform "Attacking the Past and Creating the Present" has recorded and broadcast a special documentary film depicting ancient pines and cypresses, eulogizing the immortal spirit.
At the beginning of May 2013, with the support of the Friendly Forces, the exhibition "Han Shui Yao Guang" was held in the Exhibition Hall of Tianjin No. 6 Academy. In the middle of July 2016 in the PLA Political Work Department Beijing Shahe training base to participate in the 95th anniversary of the founding of the Chinese Communist Party calligraphy and painting exhibition and commemorative stamp album launch activities sponsored by the Arts and Crafts Professional Committee of Philatelic and Popular Culture Society. Before and after 2019 National Day in Beijing Nationalities Culture Palace to participate in the "Celebration of the 70th Anniversary of the People's Republic of China" exhibition.
After years of continuous efforts, his works magnificent free and easy, vivid, full of clouds, natural. Bo Director of the home, understand the true meaning of the master, bitter study of the mind. Travel the famous mountains and rivers, bearing the aura of heaven and earth, then the essence of the landscape. The potential power of Mr. Liu Minghua is unlimited. The ink left by his diligence over the years will gradually show great artistic value as time goes on.
作品赏析：
清遒一扫埃尘心
画家刘明华喜爱画松。他的作品几乎无一幅不画松。松树是他画面中最重要的主体，其余一切，甚至于包括高士和牧童一类的人物，均可视为配角或衬托。如此专一致力于画松的画家，似还不常见。因此刘明华画松，成了一道颇具个人特色的艺术风景线。
提到画松，稍涉绘画史的人会联想到唐代张璪。史载，张璪不惟山水绝妙，画松树更是“特出古今”。他甚至能“手握双管，一时齐下，一为生枝，一为枯枝”，“生枝则润含春泽，枯枝则惨同秋色”。但张璪的画迹早已失传。画史上称李成画松创“攒针笔”，可能更重要。之后历代之李唐、王蒙、唐寅等，画松似乎都与“攒针笔”有着或隐或显的渊源关系。刘明华画松，师从了画松名家，但我不怀疑，他同时也有所取法于上述古人。他一以贯之的也是“攒针笔”。若要说出不同，则李成的“攒针笔”据说是“不染淡”的，刘明华则无不以淡绿染之。这在今天的欣赏，或许不仅“自有荣茂之色”，而且是益增“荣茂之色”了。
Sweep the dust heart of Egypt
Artist Liu Minghua likes to paint pines. There is hardly a picture of his work that does not paint loosely. The pine tree is the most important subject in his pictures. Everything else, even the high priest and the shepherd boy, can be regarded as a supporting role or foil. It seems unusual for such a dedicated artist to paint pine. Therefore, Liu Minghua painting pine, has become a quite individual characteristics of the artistic landscape.
Mention painting pine, slightly involved in the history of painting will associate with Tang Dynasty Zhang Zao. The history contains, Zhang Zao is not only beautiful landscape, painting pine is "special ancient and modern." He can even "hold a double pipe, a moment together, a living branch, a dead branch," "The living branch is moist with spring Ze, dead branch is miserable with autumn." But Zhang Zao's paintings have long been lost. The history of painting called Li Cheng painting songchuang "save needle pen," may be more important. After the dynasties of Li Tang, Wang Meng, Tang Yin and so on, painting pine seems to have a hidden or obvious relationship with "save needle pen." Liu Minghua painted pine, under the tutelage of painting pine, but I do not doubt that he also learned from the ancients. He is also a consistent "save needle pen." If you want to say different, then Li Cheng's "save needle pen" is said to be "not dye light," Liu Minghua is all with light green dye. This appreciation in today, perhaps not only "own Rong Mao color," and is the benefit of the increase "Rongmao color."
不过真正要把松树画得好，确实大不易。古代画论就说，松树之“苍健老硬，其形甚多”，“或耸而迸枝者，或曲折而俯仰者，或躬而若揖者，或如醉人狂舞者，或如披发仗剑者”，“又若怒龙惊虬之势，腾龙伏虎之形，似狂怪而飘逸，似偃蹇而躬身”等等，可谓“其势万状，变态莫测”。所以画松之难，在于如诗人元稹所称许的“得神骨”。
然而画松而要“得神骨”，绝非光靠师授和学古人就能实现。有意思的是，“外师造化，中得心源”，这尽人皆知的中国画艺术的真谛，恰好是画松特出古今的张璪说出来的话。由此可见，画松也有个必须师造化的问题。五代荆浩隐居太行山洪谷，为了画松“如其真”，就写生了松树“凡数万本”。这种经验，却也未尝不是刘明华画松所努力遵循的道路。多年以来，刘明华足迹遍及有古松奇松的地方，除五岳外，还有九华山、崂山、大明山，以及九寨沟、十三陵等，其中两上泰山、五上峨眉，对古松奇松无不心摹手追，使它们也都成了胸中之松。所以当其落笔，松树万状之势，千变之态，皆笔不妄下，得之于心，应之于手，荣茂满纸，远非唯以粉本画松者所可比拟。
But really to paint pine trees well is really difficult. Ancient painting theory said that the pine tree “Cangjian old hard, They are many forms, "" Or he who rises and shoots, or bends and bends, or bows and bows, or is like a drunken dancer, or like a sword, " "If the angry dragon startled Qiu potential, Tenglung Fu Hu shape, like crazy strange and elegant, like Yan Jian and bowed down" and so on, can be described as "its potential myriad, abnormal unpredictable." Therefore, the difficulty of painting pine is, as the poet Yuan Zhen said, "to get the bones of God."
However, painting pine to "get the bone of god," by no means relying on the teacher and learning from the ancients can be achieved. It is interesting to note that the essence of the well-known Chinese painting art is precisely the words of Zhang Zao, the painter of ancient and modern times. Thus, painting pine also has a must master the problem. In the Five Dynasties, Jing Hao lived in seclusion in Honggu of the Taihang Mountains. In order to draw pine trees "as true as they really are," he sketched "tens of thousands of books of pine trees." This kind of experience, however, is not the way that Liu Minghua painted the pine to follow. For many years, Liu Minghua's footprints throughout the ancient pine and pine, in addition to the five mountains, there are Jiuhua Mountain, Laoshan, Daming mountain, Jiuzhaigou, Ming Tombs and so on, two of them on Mount Taishan, five on Emei, all of the ancient pines, Qi Song, so that they have become the chest of the pine. Therefore, when the pen, pine tree of the potential, the state of change, are not jump, the heart, should be in the hand, Rong Mao full of paper, far from the only powder painting pine can be compared.
尤为值得注意的是，刘明华画松，在于他十分透彻理解，中国画艺术不属于工匠性的技术劳动，而是需要赋予精神内涵的创造。因此一直以来，刘明华始终孜孜不倦于坚持读书，读古读今，以读书陶养自我，充盈心灵。这使他画松，自然而然地透示出了创作主体的内在的丰富性，一股清遒的精神气质，常常在他的画境中，造成清而不媚、遒而不悍的品格托付。
善于营造“古意”气氛，也是刘明华画松的一个显见特点。所谓“画贵有古意”，这是古人相对于他们的古人提出来的美学认知。但“古意”不应该被简单地理解为是回到古时候的含义。事实上也不存在这种可能。所以“古意”究其实质，是对于“现在时”的超越。毋庸置疑，作为范畴，“现在时”的某些层面往往与时髦，与流行大潮，与俗世无边的物欲联系在一起，它们泯灭了艺术需要的个性，因而是艺术之害。真正的艺术必须摈斥之，弃绝之，方能彰显自身纯正的品质，成为熠熠生辉的精神引领。令人高兴的是，刘明华显然把握到了这一点。他画松在“古意”气氛的营造上，一扫了埃尘心，已经进抵较高的品位，未来当更令人期待！
（黄少青）
It is particularly noteworthy that Liu Minghua painted pine, because he is very thorough understanding that the art of Chinese painting does not belong to the craftsman's technical labor, but needs to be endowed with spiritual connotation of creation. Therefore, Liu Minghua has always been tireless in the persistence of reading, reading the ancient reading today, with reading to cultivate self, filling the soul. This makes his paintings lax and naturally reveals the inner richness of his creative subjects. A Qing Qiu's spiritual temperament, often in his paintings, resulting in a clear but not charming, Qiu not fierce character entrusted.
Good at building "Guyi" atmosphere, is also a prominent feature of Liu Minghua painting pine. The so-called "painting expensive has ancient meaning," this is the ancients relative to their ancient proposed aesthetic cognition. But "archaic" should not simply be taken to mean a return to ancient times. In fact, there is no such possibility. Therefore, the essence of "Guyi" is the transcendence of "present tense." Undoubtedly, as a category, some aspects of "present tense" are often associated with fashion, popular tide, and boundless material desires of the secular world. They lack the individuality needed by art and are therefore the harm of art. True art must be rejected, renounced, in order to show its pure quality, become a shining spiritual guide. Happily, Liu Minghua has clearly grasped this. He painted pine in the "Guyi" atmosphere of the creation, a sweep of Egypt dust heart, has arrived at a higher grade, when the future is more expected!
(by Huang Shaoqing)
凤凰新闻这样说：明人金圣叹说，“不会用笔者，一笔只作一笔用，会用笔者，一笔作百十来笔用”，刘明华先生的绘画用笔勾勒富于节奏、韵律，在烘晕与渲染中，工致而又见灵动，严谨而不乏洒脱，足见出其技法精湛与惜墨如金的成熟，作品无论大小，画面无论简繁，都显示出底蕴深厚、境界清雅明丽的特点，而传统绘画的“皇家富贵”之风，已被吸纳、化解为作品深层的精神元素，展示为生意浮动、风神绰约的爽目清新、简率明晰、精湛生动、风神郁勃的气韵和面貌。
刘明华先生的画作既保持了线条的韵律感和墨的丰富性，又适度地知趣而尽兴地展现着自然之美，不难看出他研学石涛、黄宾虹画风精要的把握，对传统意笔经典的继承。而这些曾经影响过他的大家，并未束缚其个人的创造。他重视自然规律、艺术规律，更重视用心去体验大自然，他笔下的古松有内心的感受，而画面就像心中的仙境。他以心灵去和画面相触摸，通过对古松，奇松的描写，表现出与自然的心神交会，对时空的感悟。来源于那大自然的一山一木一石。我们有足够的理由相信，刘明华先生秉持着对艺术的坚持，努力地往上攀登，在艺术的道路上将越走越开阔。
一百载风雨洗礼，一百载峥嵘岁月，一百载日夜兼程，一百载辉煌成就。借书画之荣耀，扬民族之风采，庆建党之壮举，助中华之豪迈！
盛世腾飞，人才辈出。改革开放以来，中国涌现出众多可圈可点的优秀艺术人才。而刘明华先生则是这其中的出类拔萃者。他学养深厚，功力超群，技艺精湛。他独创的中国画水墨“浑元技法”正对中外艺坛产生着深远影响。
Phoenix News said this: Ming Jin Shengtan said, "I will not use the author, only for a pen, will use the writer, a pen for 100 to ten pen," Liu Minghua's paintings are full of rhythm and rhythm. In the drying and rendering, they are both artificialand clever, rigorous and free and easy. This shows that his technique is exquisite and he cherishes the maturity of ink as gold. His works, large or small, and his paintings, both simple and complex, show the characteristics of profound and elegant realm. However, traditional painting is characterized by "royal wealth and wealth." It has been absorbed and dissolved into the deep spiritual elements of the works, and displayed for the business floating, Fengshen graceful and refreshing eyes, clarity of simplicity, exquisite and vivid, Feng Shen Yubo charm and appearance.
Liu Minghua's paintings not only keep the rhythm of the lines and the richness of the ink, It is not difficult to see that he studied Shi Tao, Huang Binhong painting style of the grasp of the essence of traditional Italian pen classic inheritance. Those who had influenced him did not restrict his individual creation. He attaches importance to the laws of nature, art, more attention to the heart to experience nature, his ancient pines have inner feelings, and the picture is like the heart of the fairyland. He uses his mind to touch the picture, and through the description of the ancient pines and the odd pines, shows the meeting of the mind with nature and the perception of time and space. Comes from the nature of a mountain, wood and stone. We have enough reason to believe that Mr. Liu Minghua will be more and more open on the road of art with his persistence in art and his efforts to climb upward.
A hundred years of wind and rain baptism, 100 years of eventful years, 100 days of day and night, 100 glorious achievements. Borrow the glory of painting and calligraphy, Yang national style, Qing Jian feat, help the Chinese heroic!
Prosperity took off, talented people in large numbers. Since the reform and opening up, China has emerged many outstanding artistic talents. And Mr Liu Minghua is the outstanding one. He is well educated, highly skilled and skilled. His original Chinese ink painting "Hun Yuan Technique" is having a profound impact on Chinese and foreign art circles.
