守文化之需创时代之新中华优秀传统文化艺术家——宋显明_人民日报欧洲网-人民日报海外版欧洲刊_人民日报社

守文化之需创时代之新中华优秀传统文化艺术家——宋显明

2020-11-11 15:12 来源：综合

艺术简介

宋显明，三九年生于贵州省贵阳市，五九年中专美术班结业。六三年贵州大学国画班毕业，同年分配到山西吕梁市山区工作至今五六十年。八三年开始研究将蜡染艺术和清代芥子园画传中的油浮法与中国画相结合，经过30多年的反复试验，对表现冰凌雪花，绿叶碧草，金银花布，雨丝水珠，都有特殊效果。被文化部评为艺坛十大名家，全国人大副委员长许嘉璐，文化部长高占祥，副民政部长、徐瑞新树为中国文化遗产国画家，得到有关媒体称为百年巨匠，国画大师，中华一绝，奔着艺术在于传承创新反应现代的三大理念，我将独创的蜡染国画发扬光大，中国画，主要分为院体画和文人画两大派系，文人画豪放大气，院体画细腻生邃，只因院体画多为封建皇室所爱。而被冷漠，但又不否定唐宋院体画的珍贵，如清明上河图等。那样多人物、多场面、多情景的画风为世界所瞩目，也是西方绘画没有不可能做到的画风，唐宋绘画注重六法，气韵生动，骨法用笔，应物象形，隨类赋彩，经营位置，传摩移写，提倡三写，画人物叫写照，如同照镜中之人，画山水叫写实，画出山的实体，画花鸟叫写真，画出真花真鸟，却没有提写意，写意画盛行于明清以来的文人画，近百年来文人写意画大师已将墨竹，墨马，墨牛，墨骆驼、墨毛驴、墨鹰、墨虾蟹画尽，再难找到适合于水墨表现的动植物，作为突破，便走向印象、抽象、意象、脱离实际的画风，因此只有学习唐宋绘画才能使中国画发扬光大。中国文联免费出版《四海同心一带一路》中英文画集称我是大家，中国艺术研究院免费出版《百年巨匠》称我是巨匠，荣宝斋书画社出版《大师作品欣赏》称我是大师。

Song Xianming was born in Guiyang, Guizhou province in 1939 and graduated from the art class of Technical Secondary School in 1995. He graduated from Guizhou University in 1963 and has been working in the mountains of Lüliang for 50 years. In 1983, he began to study the combination of Batik art and the oil float method in the Qing Dynasty Jieziyuan Huazhuan with Chinese painting. After more than 30 years of trial and error, it has special effects on the performance of ice, snow, green leaves, Green Grass, honeysuckle cloth and rain drops. Chairman of the Standing Committee of the National People's Congress Xu Jialu, the minister of culture, and Gao Zhanxiang, a painter of Chinese cultural heritage, have been named by the Ministry of Culture and the China Federation of Literary and Art Circles as China's top ten artists in the art world, in order to pass on the three concepts of art, innovation and modernity, I will carry forward the original Batik painting, Chinese painting, mainly divided into two schools, the academy painting and the Literati Painting, the Literati Painting is bold and unrestrained, the academy painting is exquisite and vivid, because most of the courtyard paintings were loved by the feudal royal family. But was indifferent, but does not deny the Tang and Song Yuan style painting precious, such as Along the River During the Qingming Festival. Such a multi-figure, multi-scene, multi-scene painting style has attracted the attention of the world, which is also an impossible style in western painting. The painting of the Tang and song dynasties pays attention to six methods, which are vivid in spirit and rhyme, the use of the brush in bone, the application of the image to the object, the assignment of color according to the category, the management of the position, and the transfer of writing, it is advocated that three paintings of figures should be called portraiture, just as looking at people in a mirror, painting mountains and rivers should be called realistic, Painting Mountain entities, painting flowers and birds should be called realistic, and painting real flowers and birds should be called realistic, but there is no mention of freehand brushwork, which has been prevalent in literati painting since the Ming and Qing dynasties, in the last hundred years, artists have painted ink bamboo, ink horse, ink cow, ink camel, ink donkey, Ink Eagle, ink shrimp crab, and it is difficult to find suitable animals and plants for ink painting, as a breakthrough, it goes to the style of impression, abstraction, image and separation from reality, therefore, only by studying the painting of the Tang and song dynasties can Chinese painting be carried forward and developed. The free publication of "Four Seas, one heart, one belt, one road" by the Chinese Federation of Literary and art, in both Chinese and English, states that L am everyone, i was called a master by the Chinese National Academy of Arts, which published a free copy of the Hundred Years Master, and a master by the Rong Bao Zhai Calligraphy and painting company, which published an appreciation of the master's works.

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