前 言
书法作为中国文化的独特艺术表现形式，被誉为无言的诗、无形的舞、无图的画、无声的乐。凡作书，无论何体，必须筋骨血肉备具，筋者锋之所为，骨者毫之所为，血者水之所为，肉者墨之所为，锋为笔之情，水为墨之髓。崔元泽先生至今笔耕不辍，他十分懂得也很善于深入把握水、墨、笔、法、气、势、虚、实之间的辩证关系，使其书法始终保持一种“淡妆浓抹总相宜”的审美格调。
崔元泽先生,这位已经76岁的朝鲜族书法家，不断师古创新，博采众长，遍习古人书法精髓，讲究书法功底，追求书法意境，将书法的神、韵、情、美融为一体，其书法苍健雄劲，气势磅礴，金石古意，老辣逾矩，生命勃发，形成自己独特的书法艺术风格。他创作的每一幅作品的笔画、结构、章法无不让观者感受到其字形的遒劲之美、柔韧之美、传统之美、神韵之美、变化之美。
笔墨当随时代，为国家抒怀，为人民抒情，是崔元泽先生一生践行的艺术追求。在他几十年对书法艺术的探、学、研、练、创上，始终坚持中华情、民族魂，所有作品都表现出弘扬中国时代主旋律，展现新风貌，释放正能量的主调。他作为一名老共产党员，始终牢记党的宗旨，践行共产党人的理想，自觉将书法艺术创作同党的不同时期的中心思想和人民的期盼相结合。他把书法艺术要为人民服务、为社会主义服务，作为自己的座右铭，把习近平总书记在文艺工作座谈会上的讲话精神等一系列理论观点作为自己的指导思想，寓于创作之中，他虽年事已高，却还在不断创作新作品，如近期推出的“不忘初心，牢记使命”等佳作深受爱好者欢迎。自十八大以来，在短短的几年里，他创作了大量的精品力作，为我国文化和书法艺术的传承作出了贡献。
一个书法家首先要有良好的自身修养，同时还必须融入社会，关注社会和人类的发展。崔元泽先生除了专注书法创作之外，还积极投身国家和社会的公益事业中，捐赠了大量的作品，以一个书法家的责任与担当践行着大爱至上的品行与人格操守，始终关注国家民族的事业发展。这种对国家、社会的高度责任感和使命感，也成为其追求的人生境界。
不忘初心，笔耕墨坛七十载，崔元泽先生用一生诠释着一个艺术家的理想信念和梦想追求，为后来者起到了一个模范示范作用，他用一支笔，一砚墨在纸上流露着对世间真善美的感悟，对生命真谛的领悟，在提高自身修为的同时，也在推动社会主义文化繁荣发展的道路上继续行走着、书写着……
《文化月刊》副主编 李克亮
Before the speech
Calligraphy, as a unique form of artistic expression of Chinese culture, is praised as silent poetry, invisible dance, pictographic painting and silent music. Any book, no matter what the body, must be sinews and flesh, sinews, sinews, bones, blood, water, ink, ink, the front for the pen, water for the marrow. Mr. Cui Yuanze has been working tirelessly so far. He knows and is good at grasping the dialectical relationship between water, ink, pen, dharma, qi, power, emptiness and reality, so that his calligraphy always maintains an aesthetic style of "light makeup and heavy makeup are always appropriate".
Mr Cui yuan ze, the 76 - year - old Korean calligrapher, t the innovation unceasingly, eclecticism, through learning the ancient calligraphy quintessence, exquisite calligraphy skills, the pursuit of artistic conception of calligraphy, calligraphy of god, rhyme, love, beauty, its calligraphy XiongJin pale health, great momentums, stone ancient meaning, great more than moment, full of life, formed its own unique style of calligraphy art. The strokes, structures, and rules of each of his works all make the viewer feel the beauty of the vigorous, flexible, traditional, spiritual, and changing shapes.
It is Mr. Cui Yuanze's lifelong artistic pursuit to express his feelings for the country and the people as The Times go. In his decades of exploration, study, research, practice and creation of calligraphy, he has always adhered to the Chinese emotion and national soul. All his works show the main melody of carrying forward the Chinese times, showing new styles and releasing positive energy. As an old Communist party member, he always kept the party's purpose in mind, practiced the ideal of communists, and consciously combined the creation of calligraphy art with the central ideas of the Party in different periods and the expectations of the people. His calligraphy art to serve the people and serving socialism, as his motto, general secretary of the jinping work in literature and art symposium speech spirit and so on a series of theory viewpoint as its guiding ideology, lies in their creation, he is old, but continues to create new works, such as the recent launch of the "don't forget the beginner's mind, keep in mind that the mission" and other excellent reception of fans. In just a few years since the 18th National Congress of the COMMUNIST Party of China, he has created a large number of masterpieces, which have contributed to the inheritance of Chinese culture and calligraphy.
A calligrapher should first have a good self-cultivation, but also must integrate into the society, pay attention to the development of society and human beings. In addition to his focus on calligraphy, Mr. Cui Yuanze also actively participated in the public welfare undertakings of the country and the society, donated a large number of works, and practiced the morality of "love first" and personal integrity with the responsibility of a calligrapher, always paying attention to the cause development of the country and the nation. This kind of high sense of responsibility to the country, the society and the sense of mission, also become its pursuit of the realm of life.
Don't forget to beginner's mind, pens and ink altar seventy, Mr Cui yuan ze interpretation with the whole life of an artist ideal faith and dream to pursue, for others had a model demonstration effect, he used a pen, a inkstone ink on the paper with the feeling of the true thing in the world, the true meaning of life, improve their in for at the same time, also on the way to promote the development and prosperity of socialist culture kept walking, writing...
Deputy editor of journal of cultural Li Keliang
崔元泽，朝鲜族书法家。1942年生于黑龙江省密山市书生门第之家。1989年毕业于中国书画函授大学（欧阳中石学生），现居北京。现任国务院国宾礼特供艺术家，国家高级书法师；中国书法家协会书法高级注册教师；中华国礼书画院副院长；中国国际文化促进会国文书画院名誉院长；文华阁国礼书画院名誉院长；首都书画院艺术顾问；八一书画院东北分院艺术顾问；清华大学名誉教授；北京大学客座教授，英国牛津艺术学院名誉顾问、名誉教授；中国公益事业形象大使；中国人生科学学会艺术顾问；联合国文化总署书法委员会常务理事；中国诗酒文化、诗书画院理事；中国海峡两岸书画家协会名誉副主席；中国画院一级书画家；全国农村留守儿童基金会艺术顾问；中国老子同道会艺术顾问；人民艺术家协会副院长；联合国和平基金会亚太事务委员会文化交流中心艺术顾问；阿里签约艺术家，中华文化大使，福布斯推荐艺术家，《时代周刊》首次登封面人物艺术书画家等职务。
崔元泽书法浅谈:
中国书法是中国汉字书写的艺术。汉字是线条组成的。首先线条要美，还要组合的结构要美，这才成为书法。汉字从诞生之日起，就是“美术作品”，是若干线条组合“画”出来的。它天生丽质，体现了字形之美，字容之美，博采众美，充实美化了我们的生活。书法，首先是一种文化。书法在实现其记录的基础作用，同时也可以兼用抒情和欣赏，也具有和其他的绘画，音乐等艺术门类一样的传情和审美的作用。所以，书法具有很高的实用价值和审美价值的统一体。对于个体而言，书法更是人生缩影。书法家的个人经历，学养气度，脾气秉性，一一体现在自己的作品中。我注重传统功力，追求自然创新。师古是创新之母，创新是传统的继承。没有继承传统，总想做大幅度的变形，异变，轻视线的内涵和精致微妙的不同，就等于无源之水，无本之木，创作不出新的辉煌。真正的艺术创新是吃透元典，渊源及流，借古开今。
艺术辑评:
1、欧阳中石老师对崔老的点评：崔元泽的书法功底扎实，和谐美好。
2、书协顾问李铎老师的点评：崔元泽的书法作品基调高雅，气象正大，风格庄重。
3、书协主席张海的点评：观崔先生的书法笔墨线条厚重，结构布局严谨，匠心独具，收点创新。
4、中央电视台书画频道中国书法主讲任德山老师的点评：崔元泽先生的书法温其如玉，自成一家。
5、范曾大师的点评：崔元泽书法结体稳健、端庄、笔墨流畅自然，独具丰富，而有内涵的自家风格。
6、美协副主席何家英老师的点评：崔元泽先生的书法形成了自我风格和特点，又有自己的个性追求，是难得的艺术人才。
7、现任书协主席苏士澍的点评：崔元泽的隶书厚重大度，行书如行云流水，有自家风貌，庄重而酣畅，让人耳目一新，他是真正的书法家。
8、故宫博物院魏鼎老师点评说：崔老师的书法是金浓的骨架庄重，刘炳森的美丽，郑板桥的竹叶。
9、联合国和平基金会亚太事务委员会文化交流中心主任，八一书画院副院长金冬善对崔老书法作品的评价是：崔老师的书法作品是当今时代的正能量，为社会留美德，真正体现了为实现伟大复兴中国梦的书法大家。
10、现任书协主席苏士澍的点评:纵观当今中国书画艺术界，书法，绘画，数以万千，能吸引人眼球的不多。
多数作品辗转模仿，布局雷同，总给人-种千人一面之感觉，崔元泽先生的作品可令人眼前一亮，就是在于他的大智藏锐，不随人作计，而是以“一叶落知天下秋”的艺术手法，让读者小中见大，拙中见巧。崔元泽先生虽然为人谦逊低调，但是却领悟到了书法真谛。字里行间看得出崔先生在对艺术的追求中，没有什么奢望，只想为这绚丽的世界添上淡淡的一笔，成功与否无怨无悔，只想用艺术去书写祖国的山河之美，去表现丰富多彩的生活，他觉得这才是一个书法家的责任。相信崔元泽先生在自己的艺术道路上会越走越远，越走越高。
美协主席范迪安点评:从运笔、用墨、布局、章法等来看，其作品的布局严谨而不呆板，灵动而不杂乱，犹如水落石出，涤静浮沉，秀色自现，风骨独标，承传统于字里行间，出新意与法度之外。真正做到思想性、艺术性、观赏性的统一，德艺双馨，已具有名家风范且能为其他书家创作提升提供了可凭借鉴的有益启示。
碑帖双修法正宗 汉风晋韵赋华章--记著名书法家崔元泽
书法玄机奥妙都隐藏在碑帖之中，双修碑帖就是取法为上的正大路径。当代著名书法家崔元泽先生，就依碑学而立翰墨之骨，因帖学成书法气韵，精琢碑帖机密，让自己的书法修养和创作深师传统，法源正宗，可谓是用笔墨传承文化品位的大手笔。
他的书法以写古风高雅为主题风格，对汉代隶书有极致的古风琢磨，把西汉古隶带有篆书笔意的朴茂气象与东汉隶书雅俗共赏的俊美形态融合在一起，写出隶书的端正严禁与丰神多姿，以白计黑，重视书法线条的形式美，有挖掘书法存在的空间美，写意隶书的空间灵动，笔法逸动，再铺陈墨韵泽润，在蚕头燕尾的表现中，把隶书写的如落花飞雪，亦是如诗如赋。雅似君子，侠是壮士，鸿飞兽骇的是粗线条的形态劲美，临危据槁是结体欹奇的空间要妙，他的隶书之品，有来源与碑学的骨力雄强，也有来源于帛本的笔墨精妙，放手写汉隶恰是抒情无碍的恣意表达。
蚕头燕尾，左掠右挑，一画之内变起伏于锋杪，一点之间殊衄挫于毫芒，左盘右蹙，洁白的瓷器上，尽见泉注崩云，状如云烟浩荡。这滋润流畅的翰墨华意，开创了当代书法与瓷器的妙相合的新篇章，书法不但拥有笔墨的本质属性，也让瓷器拥有了文化的灵魂，汉风隶风入而承成诗的篇章，既不再是匠工制作的工艺品，而是精心创制的文化神品，国礼品质一目了然，收藏鉴赏皆为珍贵。
他有神写汉隶雄浑动逸的才华，也可以写晋代行书的飞动畅神，侧入中行的笔法掌握的炉火纯青，一笔写下去如急流清湍，足可以引以为流觞曲水，在心中双畅智巧兼优的塑造中，他把晋代行书的书卷气息表达得惟妙惟肖，无以复加！这种鸾舞蛇惊鸿兽骇一般的行书风姿品相，书如其人正是先生文质彬彬文化积淀浑厚深邃的表现。
他的行书研艳华美，晋韵鲜明，但绝不流滑浮躁，虚实映照，力透纸背，以文化真味为核心写传统正宗书法的精气神，有哲学层面上虚空之妙，也有美学层面上的文质之品，经由个人书法经验不断提炼，把行书写的肥瘦相宜妙在天然！可谓当代文人与瓷文化品位相通的典范。
央视著名签约评论家 林俊 2020年1月15日
Cui Yuan-Ze is a Korean calligrapher. Born in 1942 in the scholarly family of Mishan city, Heilongjiang Province. He graduated from Correspondence University of Chinese Painting and Calligraphy in 1989 (a student of Ouyang Zhongshi) and now lives in Beijing. He is currently the state Council's state guest for special gifts for artists, national senior calligrapher; Senior registered calligraphy teacher of Chinese Calligrapher's Association; Vice President of Zhonghua Calligraphy and Painting Academy; Honorary President of Chinese Calligraphy and Painting Academy, China Association for the Promotion of International Culture; Honorary President of Wenhua Pavilion National Calligraphy and Painting Academy; Art Consultant of Capital Painting and Calligraphy Institute; Art Consultant of Northeast Branch of Bayi Painting and Calligraphy Academy; Honorary Professor of Tsinghua University; Visiting professor of Peking University, honorary consultant and honorary Professor of Oxford College of Art, UK; Image ambassador for China's public welfare; Art Consultant of Chinese Society for Life Sciences; Executive Director of the Calligraphy Committee of the United Nations General Administration of Culture; Chinese poetry and wine culture, Poetry and Painting Academy director; Honorary Vice Chairman, China Association of Painters and Calligraphers across the Taiwan Straits; First-class calligraphy and painter of China Painting Academy; Artistic Consultant of China Rural Left-behind Children Foundation; Art consultant of Laozi Tongdao Association of China; Deputy President of the People's Artists association; Arts Adviser, Cultural Exchange Centre, Asia-pacific Affairs Committee of the United Nations Peace Foundation; Ali is a signed artist, a Chinese cultural ambassador, an artist recommended by Forbes, and the first person to appear on the cover of Time Magazine.
On Cui Yuanze's Calligraphy:
Chinese calligraphy is an art of writing Chinese characters. Chinese characters are made up of lines. First of all, the lines must be beautiful, and the combined structure must be beautiful, which becomes calligraphy. From the day of its birth, Chinese characters are "art works", which are composed of several lines and "paintings". It is born beautiful, embodies the beauty of the shape, the beauty of the word, the beauty of the public, enrich and beautify our life. Calligraphy is, above all, a kind of culture. Calligraphy plays a fundamental role in recording, but it can also be used for expressing emotions and appreciating. It also plays the same role in conveying emotions and aesthetics as other artistic categories such as painting and music. Therefore, calligraphy has a high practical value and aesthetic value of the unity. For an individual, calligraphy is the epitome of life. The calligrapher's personal experience, learning to cultivate tolerance, temper, a body of their own works. I pay attention to traditional skills and pursue natural innovation. Shiku is the mother of innovation and innovation is the inheritance of tradition. Without inheriting the tradition, people always want to make great changes and changes, and despise the connotation of lines and delicate and subtle differences, which is equal to water without source and tree without roots, and cannot create new splendor. The real artistic innovation is to get a thorough understanding of yuandian, origin and flow, borrowing the past and opening the present.
Art review:
1. Ouyang Zhongshi's comments on Cui Lao: Cui Yuanze's calligraphy has a solid foundation and is harmonious and beautiful.
2. Comments of Li Duo, consultant of Shuxie: Cui Yuanze's calligraphy works are elegant in tone, upright in atmosphere and solemn in style.
3. Comments by Zhang Hai, chairman of Shuxie: Mr. Cui's calligraphy and ink have thick lines, rigorous structure and layout, unique ingenuity and innovation.
4. Mr. Ren Deshan, the lecturer of Chinese calligraphy of CCTV's Painting and Calligraphy channel, commented that Mr. Cui Yuanze's calligraphy is as graceful as jade, which is his own family.
5. Master Fan Zeng's comments: Cui Yuanze's calligraphy is steady, dignified, smooth and natural, unique and rich in his own style.
6. The comments of Mr. He Jiaying, vice President of the Art Association: Mr. Cui Yuanze's calligraphy has formed his own style and characteristics, as well as his own personal pursuit. He is a rare artistic talent.
7. Comments by Su Shishu, current chairman of shuxie: Cui Yuanze's official script is heavy and magnanimous, and his writing style is like flowing water. It has its own style and style.
8, the Palace Museum teacher Wei Ding commented: Teacher Cui's calligraphy is jin Thick skeleton solemn, Liu Bingsen's beauty, Zheng Banqiao's bamboo leaves.
9. Jin Dongshan, director of the Cultural Exchange Center of the Asia-pacific Affairs Committee of the United Nations Foundation for Peace and vice President of Bayi Painting and Calligraphy Institute, commented that Cui Lao's calligraphy works are the positive energy of the current era, retaining virtues for the society and truly embodying calligraphy masters to realize the Great Rejuvenation of the Chinese dream.
10. Comments by Su Shishu, the current chairman of shuxie: Throughout the art circle of Chinese calligraphy and painting, there are thousands of calligraphy and painting, and few of them can attract people's attention.
Most of the works imitate, the layout of the same, always give people a feeling - a thousand people at the same time, Mr. Cui Yuanze's works can make people shine at the moment, is that his great wisdom is hidden sharp, not with others, but with the "fall of a leaf to know the world autumn" art technique, let the reader see the big in small, clumsy in the clever. Despite his modesty, Mr. Cui realized the true meaning of calligraphy. Between the lines, it can be seen that Mr. Cui has no extravagant hopes in his pursuit of art, but only wants to add a touch of light to this gorgeous world. He has no regrets about his success or failure, and only wants to use art to write the beauty of the mountains and rivers of the motherland and to express the rich and colorful life. He thinks this is the responsibility of a calligrapher. I believe That Mr. Cui Yuanze will go farther and higher in his artistic career.
11. Fan Dian, chairman of the Artists Association, comments on: From the perspective of handling brush, ink, layout and rules, the layout of his works is rigorous but not rigid, clever but not messy. It is like coming out from the bottom of a stone, cleaning up the calm, floating and floating, showing its beauty and unique style, inheriting the tradition between the lines, and presenting new ideas and legacies. It has achieved the unification of thoughts, artistry and appreciation, and has possessed the style of a famous scholar and provided some useful enlightenment for other calligraphers to improve their creation.
Inscription on a tablet double revision of authentic Han Feng Jin Yun Fu Hua Zhang -- A record of cui Yuanze, a famous calligrapher
The mystery of calligraphy is hidden in the inscription, double inscription is the way to take the method. Contemporary famous calligrapher Mr. Cui Yuanze, according to the study of tablet calligraphy and the bones of the calligraphy, because of the post into calligraphy spirit, refined cut the inscription, so that their calligraphy accomplishment and creation of the deep division tradition, the source of authentic law, may be said to be the inheritance of cultural taste with brush and ink.
His handwriting to write ancient elegant style for the theme, official script of han dynasty have antique ponder to the extreme, the ancient nationalities in the western han dynasty with the seal character of sincere and honest meteorological grass and the eastern han dynasty official script is fit together, beautiful form write official script with no abundant god much appearance, in white black, attach importance to the formal beauty of calligraphy line, there are mining the calligraphy of the space beauty, freehand brushwork in traditional Chinese space clever, brushwork from moving, then elaborate sides ZeRun, in the performance of the silkworm head dovetail, write the official script as the falling snow, is also like the poem like fu. It was said to have been catapulted into an indistinctive space. Its official script was said to have originated from the bone strength of tablet inscription, and it was also said to have originated from the ink and ink of silk books. To write an official scribe in han Dynasty was an arbitrary expression of lyric expression.
The silkworm head, left sweep right pick, a painting inside changed the ebb and flow in the small, left disk right frowned, white porcelain, all see spring note burst clouds, like clouds. This moist smooth calligraphy huayi, created the contemporary calligraphy with porcelain wonderful new chapter, the essential attribute of calligraphy not only with pen and ink, also let China have the soul of the culture, han nationalities wind into the wind and bearing into the chapter of poetry, is no longer as both workers making arts and crafts, but prepared meticulously created culture, national gift quality be clear at a glance, collection appreciation are precious.
He write han nationalities bold move from talent, god also can write the running script was flying free, god side into the brushwork to master the art of bank of China, such as a pen to write down clear turbulent rapids, enough for the renovation of works of water, in the heart double chang proprietaries and optimal shape, he put the jin dynasty scroll breath expression of running script perfectly, hard! This kind of luan dance snake frightened red beast horrendous style of the running book, the book such as its person is Mr. Gentle and gentle culture accumulation profound and profound performance.
His running script grinds brilliant colorful, jin yun is distinct, but not flow slide impetuous, false or true, penetrating and traditional cultural real taste as the core to write authentic vitality, calligraphy on a philosophical level vanity, there are also aesthetic level of the quality of the product, through personal experience in calligraphy constantly refined, the measure of fitting for better in natural line of writing! It can be said that contemporary literati and porcelain cultural taste of the model.
Lin Jun, famous CCTV critic signed on January 15, 2020
