随着北京迎冬奥倒计时开始，全球正式进入了2022年北京冬奥会周期，“为奥运喝彩”项目也迎来了在中国北京宣传奥林匹克精神、文化、艺术的重要阶段。“为奥运喝彩”承“传播奥林匹克精神、弘扬中国传统文化”的理念，将通过艺术手段进一步向世界展示中国开放自信、热情友善的良好形象。

作者简介

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张淼：字三水， 1984 年 9 月出生，男，祖籍陕西省商洛市。现为中央文化干部管理学院中国水墨研究院院士、陕西省美术家协会会员，陕西省书画艺术研究院研究员、西部中国画院副院长，西安市中国画研究会花鸟艺委会副主任，长安青年美术家协会副主席，商州美术家协会副主席。2016年作品《荷塘雙棲图》特邀入选法国巴黎国际艺术沙龙展暨中法艺术名家国际学术交流展，并在法国巴黎卢浮宫展出；作品曾先后在北京、日本、香港、新加坡、法国、意大利等地展出；出版有多种个人画集。

Zhang Miao: Sanshui, born in September 1984, male, native to Shangluo City, Shaanxi Province. He is now an academician of the Chinese ink and wash Research Institute of the central cultural cadre management college, a member of Shaanxi Artists Association, a researcher of Shaanxi calligraphy and painting art research institute and vice president of the western Chinese Painting Academy, deputy director of the flower and Bird Art Committee of Xi'an Chinese Painting Research Association, vice chairman of Chang'an Young Artists Association and vice chairman of Shangzhou Artists Association. In 2016, the work "double habitat in the lotus pond" was specially invited to be selected into the International Art Salon Exhibition in Paris, France and the international academic exchange exhibition of Chinese and French artists, and was exhibited in the Louvre in Paris, France; His works have been exhibited in Beijing, Japan, Hong Kong, Singapore, France, Italy and other places; He has published a variety of personal paintings.

作品鉴赏

砚边随笔

Inkstone essays

——现代花鸟画创新的思考与实践

——Thoughts and Practice on the innovation of modern flower and bird painting

张淼

Zhang Miao

近代花鸟画已经发展到一个相对稳定的时期，作为现代花鸟画急需变革。无论是什么题材的创作，我们都需要空间的突破，在创作之前不要受三维空间和色彩对我们视觉的束缚。从微观当中感悟生命之奥妙，从宏观当中感悟宇宙之变幻。深入的去探索四维、五维空间的物象，提高学术前沿的创作，这对于现代花鸟创作有很大的帮助。

Modern flower and bird painting has developed to a relatively stable period. As a modern flower and bird painting, it is in urgent need of reform. No matter what the theme of creation, we all need a breakthrough in space. Before creation, we should not be bound by three-dimensional space and color. Understand the mystery of life from the micro and the changes of the universe from the macro. It is very helpful for modern flower and bird creation to deeply explore the images of four-dimensional and five-dimensional space and improve the creation of academic frontier.

正所谓大象无形、大音希声，这正是画家所需要的心境，也是佛法中所阐释的一花一草一世界的生命境界！关于物体的形象有很多种，譬如:具象的、意象的、抽象的、宏观的、微观的等等。

The great form has no shape. Great sound is hard to hear. This is the mood that painters need. It is also the life realm of flowers, grass, and the world as explained in Buddhism. There are many kinds of images about objects, such as concrete, image, abstract, macro, micro and so on.

不同的形象感受，主要取决于作者的思维感悟和审美取向，当代花鸟画作者大部分趋向为意象的思维方式。意象是一种感受型的物象，它呈现给观众的是中和之美。

Different image feelings mainly depend on the author's thinking perception and aesthetic orientation. Most contemporary flower and bird painters tend to be image thinking mode. Image is a kind of perceptual object image, which presents the beauty of neutralization to the audience.

当代画家的艺术创作的先觉条件，就是要有感而发、境界至上，要使自己的思维从微观到宏观、从具象到抽象。打开视野，深悟人生与大自然。在花鸟画的创作形式上，追求现代意象构成，这是现代绘画中的视觉要素。

The premonitory condition of contemporary painters' artistic creation is to express their feelings, put the realm first, and make their thinking from micro to macro, from concrete to abstract. Open your eyes and deeply understand life and nature. In the creative form of flower and bird painting, the pursuit of modern image composition is the visual element in modern painting.

当代画家要在意象与抽象上寻找突破口，尤其在色彩方面，要努力借鉴欧洲印象派的作品，来丰富现代花鸟画的彩墨创作。在光学色彩中，重复的构成和色彩的有序渐变会产生不同的节奏和韵律感，所以现代绘画在光色的应用中有很大的发展空间。光与色对于现代绘画有很大的帮助和提升作用。在此基础上，借鉴西方绘画及版画和摄影艺术的表现手法已成为一种新的理念。

Contemporary painters should find a breakthrough in image and abstraction, especially in color, and strive to learn from European Impressionist Works to enrich the color ink creation of modern flower and bird painting. In optical color, repeated composition and orderly gradual change of color will produce different rhythm and rhythm, so modern painting has a great development space in the application of light and color. Light and color are of great help and promotion to modern painting. On this basis, it has become a new idea to learn from the expression techniques of Western painting, printmaking and photography.

就色彩而言，使用复合色，注重冷暖对比变化和讲究色调的色彩变幻，尤其是印象派绘画对于光色的表现，已经成为当代许多画家借鉴学习的重要手法。

In terms of color, the use of composite color, focusing on the contrast between cold and warm and the color change of tone, especially the performance of light and color in Impressionist painting, has become an important method for many contemporary painters to learn from.

总之，光与色作为中国画新的理念必然会成为今后绘画的发展方向，它为现代中国画的创新注入了新的活力。

In short, as a new concept of Chinese painting, light and color will inevitably become the development direction of painting in the future. It has injected new vitality into the innovation of modern Chinese painting.