李超英，男，回族，1958年10月出生，1977年元月至1978年10月下乡知青；1978年11月至1981年11月在部队服役，历任文化教员，军械员，文书等职；1981年11月退伍，在安徽省阜南县中岗中学任办公室主任至2018年10月退休。

Li Chaoying, male, Hui nationality, was born in October 1958. He went to the countryside from January 1977 to October 1978. He served in the army from November 1978 to November 1981. He served as a cultural teacher, an Ordnance Officer and a clerk. He retired from the army in November 1981 and served as the director of the office of Zhonggang Middle School in Funan County, Anhui Province, until October 2018.

作品1

他不仅是一名优秀的园丁，更深深的热爱书画艺术。多年来，他潜心钻研铜丝漆画工艺，借鉴景泰蓝掐丝工艺手法，形象生动地表现出掐丝工艺独特的线条美。其主要工艺流程有：构思画稿、制图剪栽、拷贝底板、掐丝粘贴、填充色彩、细磨抛光、上面打漆、装框镶边。他所创作的作品内容多样，人物、花鸟、景物等，线条突出，形象生动，丰富多彩，栩栩如生，充分体现出独具特色的民间艺术韵味与时代精神风貌。

He is not only an excellent gardener, but also deeply loves the art of painting and calligraphy. Over the years, he has devoted himself to the study of copper wire lacquer painting technology, drawing lessons from Cloisonne pinching technology, vividly showing the unique line beauty of pinching technology. Its main technological processes are: conceiving sketches, drawing and cutting, copying the bottom plate, pinching and pasting, filling color, fine grinding and polishing, painting on the top, framing and edge. His works are diverse in content, with prominent lines, vivid images, rich and colorful, lifelike, fully reflecting the unique charm of folk art and the spirit of the times.

作品2

进入李超英工作室，目之所及，其作品之精美，俨然视觉盛宴。李超英的掐丝画已经成为古镇乃至全县文化艺术百花园中的一朵璀璨奇葩，也是弘扬中华民族传统文化的典范。

Entering Li Chaoying's studio, his works are as beautiful as a visual feast. Li Chaoying's silk-pinching painting has become a brilliant flower in the hundred gardens of culture and art in ancient towns and even counties, as well as a model of carrying forward the traditional culture of the Chinese nation.

作品3

李超英依据北宋画家张择端《清明上河图》的内容，经过一年多的构思、选材、历时十四个月的精心制作，完成了铜丝漆画《清明上河图》巨幅作品。该作品依据清明上河图按3倍正比例放大，分作二十四个单幅，每幅60×120公分，整幅作品14.4米长，1.2米高。

Based on the content of the Northern Song Dynasty painter Zhang Choduan's Upper River Picture in Qingming Dynasty, Li Chaoying completed a huge painting of copper wire lacquer painting Upper River Picture in Qingming Dynasty after more than one year's conceiving, material selection and 14 months'elaborate production. According to the map of Shanghe River in Qingming Dynasty, it is enlarged three times in proportion and divided into 24 single pieces, each of which is 60 x 120 cm. The whole work is 14.4 meters long and 1.2 meters high.

作品4

李超英的铜丝漆画《清明上河图》整幅作品画面开阔，内容丰富，气势恢弘，人物形态各异，行走坐卧，惟妙维肖，栩栩如生。在色彩方面，尽量取艳丽色彩，个体构件色彩尽量多样化，不忽视任何细微的物件。单个物体明朗，色泽艳丽，富有浓郁的立体感，体现出铜丝漆画这一民间工艺的风格特色，整幅作品画面雅俗共赏。

Li Chaoying's bronze wire lacquer painting Shanghe Tu in Qingming Dynasty has a wide picture, rich content, magnificent momentum, different shapes of characters, walking, sitting and lying, vivid and vivid. In terms of color, try to take gorgeous colors, individual component colors as diverse as possible, do not ignore any subtle objects. Individual objects are bright, colorful and full of strong stereo sense, reflecting the style and characteristics of the folk craft of copper wire lacquer painting. The whole painting is elegant and popular.

作品5

李超英热心追求、潜心钻研文化艺术，将继承与创新相结合，创作出一幅幅精美的艺术品。他的掐丝画前无古人，具有划时代的意义；制作的铜丝漆画作品被作成建国70周年的邮票标识，意义非凡。愿李超英这位不忘初心的艺术坚守者越走越远，越来越好！

Li Chaoying devoted himself to the pursuit and study of culture and art. He combined inheritance with innovation to create exquisite works of art. His silk-pinching paintings are unprecedented and of epoch-making significance, and the bronze-wire lacquer paintings made by him have been used as stamp marks for the 70th anniversary of the founding of the People's Republic of China. Wish Li Chaoying, an artistic adherent who never forgets his first heart, go farther and farther, and become better and better!

作品6《清明上河图》 局部

作品7《清明上河图》 局部

作品8《清明上河图》长卷