导读： 王志安，号五湖散翁、陇上云鹤、千陶阁主。研究馆员、一级美术师、书法家、彩陶研究和鉴定专家。1944年生于甘肃临洮，毕业于西北师范大学美术系。现为甘肃省马家窑文化研究会会长、西北民族大学马家窑文化研究院院长。马家窑书法院院长、兰州大学文物鉴定与修复中心教授、甘肃马...

王志安，号五湖散翁、陇上云鹤、千陶阁主。研究馆员、一级美术师、书法家、彩陶研究和鉴定专家。1944年生于甘肃临洮，毕业于西北师范大学美术系。现为甘肃省马家窑文化研究会会长、西北民族大学马家窑文化研究院院长。马家窑书法院院长、兰州大学文物鉴定与修复中心教授、甘肃马家窑彩陶文化博物馆馆长、甘肃美协会员，甘肃书协会员。当代马家窑文化研究和传播领域的领军人物。全国有影响的书法家，2012年被评为当代中国最有学术价值和最具收藏潜力的三十位书法家之一。

Wang Zhian, the five lakes, scattered Weng, Longshang cloud crane and thousand pottery Pavilion owner. Research librarians, first class artists, calligraphers, experts in research and appraisal of painted pottery. Born in Lintao, Gansu, in 1944, graduated from the Fine Arts Department of Northwest Normal University. He is the president of the Ma Jia Yao Culture Research Association of Gansu province and the dean of the Ma Jia Yao Culture Research Institute of Northwest University For Nationalities. The director of Ma Jia kiln calligraphy school, Professor of Cultural Relics Identification and restoration center of Lanzhou University, director of Gansu Ma kiln Color Pottery Museum, member of Gansu Association of American Association, and member of Gansu Calligraphy Association. The leader of contemporary Ma Jia Yao culture research and communication field. Nationally influential calligrapher, in 2012, he was rated as one of the thirty most valuable calligraphers in contemporary China.

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在中国传统马家窑文化研究中，我们不能不提王志安和他的彩陶研究，王志安是当代研究马家窑文化的代表人物，是一位知识、修养很全面的学者、书画家。以王志安为代表的马家窑文化研究群体，对当代彩陶文化的探索研究做了极高的贡献，影响巨大。作为学者型书画家，他的书画艺术从远古的彩陶艺术中大量的汲取了文化营养和艺术感悟，在他的用笔运线中随处可以看到有马家窑文化马家窑类型彩陶中流畅飞动的艺术线条、有马厂类型彩陶中凝重质朴的艺术风韵。在他书法和绘画的通篇气息中，处处透露出远古彩陶图案中所显现的现古人对天地理解的朴素情怀和现代人对宇宙认识的辩证思维，韵味深长而富有现代感，是当今艺坛极具代表性的人物之一。

In the study of Chinese traditional culture of Majia kiln, we can not ignore the study of Wang Zhian and his painted pottery. Wang Zhian is the representative figure of the contemporary study of Ma's kiln culture. It is a comprehensive scholar and calligrapher of knowledge and cultivation. The cultural research group represented by Wang Zhian has made great contributions to the exploration and study of the contemporary painted pottery culture. As a scholar of calligraphers and calligraphers, his painting and calligraphy art derives a lot of cultural nutrition and artistic perception from the ancient painted pottery art. In his writing line, he can see the smooth and flying art lines of Ma Jia Yao type pottery type pottery, and the artistic charm of the heavy and simple in the kind of painted pottery of Ma factory type. In the general atmosphere of his calligraphy and painting, it is revealed everywhere in the ancient painted pottery patterns the naive feelings of the ancients' understanding of the world and the dialectical thinking of the modern people on the universe, with a long and modern sense, which is one of the most representative figures in the present art world.

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马家窑文化论文著作：《马家窑彩陶文化探源》、《马家窑文化论文集》、《王志安解读马家窑文化》

书画艺术著作：《王志安书法艺术》、《当代书法一线大家·王志安》、《书画界人物作品鉴赏·王志安》、《王志安教你写好瘦金书》、《王志安画树》、《王志安画鹤》、《王志安速写集》、《王志安花鸟画集》。

文学著作：《王志安诗集》、《王志安杂文集》、《王志安书画艺术论文集》、《旅欧日记》、《旅俄日记》、《印度尼西亚旅行日记》、《旅美日记》、《我的人生伴侣》等。

Ma Jia Yao's works on Culture: the origin of Ma Jia Yao painted pottery culture, the collection of Ma Jia Yao culture, and Wang Zhian's interpretation of Ma Jia Yao culture.

The works of calligraphy and painting art: "Wang Zhian's calligraphy art", "the front line of contemporary calligraphy", "Wang Zhian", "the appreciation of people's works in calligraphy and painting circles", "Wang Zhian teaching you to write thin gold book", "Wang Zhian painting tree", "Wang Zhi an painting Crane", "Wang Zhian shorthand set", "Wang Zhian flower and bird painting".

Literary works: "Wang Zhian's Poems", "Wang Zhian anthology", "Wang Zhian's collection of calligraphy and painting", "the diary of travel in Europe", "the diary of the tour of Russia", "Indonesia travel diary", "the diary of the tourist beauty", "my life companion" and so on.

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王志安在马家窑文化研究中取得的成就和达到的高度

王志安生于马家窑文化遗址所在地甘肃省临洮县，从小受到了马家窑文化的影响。中学毕业后回农村十年，先后当过工人，小学教师、中学教师。这期间始终坚持书画不缀，改革开放后，下海创业，曾遭受四年冤狱，这四年他利用在狱内搞宣传的机遇，抓紧读了四年书，学习了大量的古文化知识和历史文化知识，打下了出狱后研究马家窑文化的基础。出狱后创立临宝斋书画社，以后发展成为工贸艺文综合发展的临宝斋文化商社。

2003年创立甘肃省马家窑文化研究会、同年创立甘肃马家窑彩陶文化博物馆、2011年创立西北民族大学马家窑文化研究院。是当代中国马家窑文化研究和传播中的领军人物。是全国有建树有影响力的马家窑文化研究学者。有多部马家窑文化研究著作问世，在马家窑文化研究中提出了多个开拓性学术观点，从彩陶纹饰研究中为中华文明的多各领域找到了历史文化源头，成为中国当代研究和传播马家窑文化第一人。

Wang Zhian's achievements and heights in Ma Jia Yao culture research

Wang Zhian was born in Lintao County, Gansu Province, where the cultural site of Ma Jia Yao was located, and was influenced by the culture of Ma Jia Yao from childhood. After graduating from high school, I went back to the countryside for ten years. I worked as a worker, a primary school teacher, and a middle school teacher. During the period of reform and opening up, after the reform and opening up, he had been in prison for four years after the reform and opening up. In the four years, he took advantage of the opportunity to publicize in prison, read the book for four years, learned a lot of ancient cultural knowledge and historical and cultural knowledge, and laid the foundation for studying the culture of Ma's kiln after being released from prison. After being released from prison, he founded the Bao Zhai painting and calligraphy society, and later developed into the pro Bao Zhai culture and business association, which is the comprehensive development of industry, trade, art and literature.

In 2003, the Gansu Ma kiln culture research association was founded, the Museum of Gansu Ma kiln color pottery culture was founded in the same year, and the school of Ma Jia Yao Culture Research Institute of Northwest University For Nationalities was founded in 2011. It is a leading figure in the study and dissemination of Ma Jia Yao culture in modern China. It is a cultural research scholar who has an influential and influential Ma Jia Yao in the whole country. In the study of Ma Jia Yao culture, many pioneering academic viewpoints were put forward in the study of Ma Jia Yao culture, and the historical and cultural source was found for many fields of Chinese civilization from the study of painted pottery ornamentation, and the first person in the study and dissemination of Ma Jia Yao culture in China.

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在马家窑文化研究领域中，王志安先生独具慧眼，对马家窑彩陶图案破译，有许多先人之处。有多篇学术论文如《马家窑彩陶蛙纹最终演变成了中华龙》、《卍符号的远古起源和文化背景》、《从太阳鸟和女阴文彩陶纹饰看中国的哲学文化源头》、《马家窑彩陶上发现最早的可识读文字》等发表在全国重点刊物；多次接受了中央媒体、省内外、国内外媒体的采访报道。在马家窑文化研究中，提出了自己许多独立的许多观点，取得了一系列研究成果，央视十套节目在[探索与发现]栏目《神秘的中国彩陶》六集电视片中作为主讲，介绍了他的研究成果。

In the research field of Majiayao culture, Mr. Wang Zhian Dujuhuiyan of Majiayao pottery pattern breaking, there are many common ancestors. Many academic papers have been published in the national key publications, such as "the final performance of the frog pattern of the painted pottery of Ma Jia Yao", the ancient origin and cultural background of the symbol, the source of Chinese philosophy and culture from the ornaments of the sun bird and the female Yin, and the earliest possible readable characters on the painted pottery of the Ma Jia Yao. Accept the central media, both inside and outside the province, the domestic and foreign media reports. In the study of Ma Jia Yao culture, many independent views were put forward, and a series of research achievements were obtained. The ten sets of CCTV programs in the "exploration and discovery" column "mysterious Chinese painted pottery" six sets of television films as the main lecture, introduced his research results.

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五湖散翁谈中国书法选段：

中国书法，有太行山的敦厚壮美，有峨嵋云的阿娜多姿，有庐山瀑的飞泻激荡，有太湖船的摇拽轻灵。作为一个书法人，只要让那长毫龙飞凤舞，便会让那砚池倒海翻江，或狂或疯，或痴或癫，或上九天追月，或潜五洋戏龙，那种美妙，那种幽远，那种愉悦，那种厂刁酣畅，那种自得，谁人还能代替书者自已的精神世界丰富和充沛！谁能象书家一样驰骋天地，纵横古今呢！所以书家才是最能夠伴青松而享寿时代的人，也是最能夠伴云鹤而翱翔生命的人！

Wuhu San on Chinese calligraphy selection:

Chinese calligraphy has the magnificence and magnificence of Taihang Mountain, the Ahna of Emei cloud, the flying of the Mount Lu waterfall, and the rolling of the Taihu boat. As a calligraphic, as long as the length of the long dragon dance, it will let the inkstone sink into the river, or crazy or crazy, or crazy or epileptic, or the last nine days of the moon, or the five ocean opera dragon, that kind of beauty, the kind of delusion, the kind of pleasure, the kind of self - made, who can be able to replace the book's own spiritual world. Abundant！Who can gallop around the world like a calligrapher? Therefore, the calligrapher is the most able to accompany the pine and enjoy the age of life, and also the most able to soar with the cloud crane.

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沈鹏先生对王志安书法的评论:

王志安先生的瘦金字书法作品笔法古雅，用笔干净利落，结体简约流便，法度森严。虽字字独立，却气韵流畅衔接自然。其字形略取纵势，重心安稳，中宫开阔。审美取向以中正为主，而不以奇崛，险怪取胜。聪慧的王志安还懂得思维定式具有积极与消极的两重性，懂得稳定性与寻找新鲜感的一致性。懂得从大处博观与从小处求精的辩证关系，他善于通过广泛学习总结经验，再返回到实践中锻炼出实际提高书法水平的能力。因此，王志安先生的瘦金字书法艺术的“雅”与“俗”的和谐并非是指在大众文化和商品经济浪潮下对艺术品消费审美趣味的一味迎合，而是在一个适当的起点上既满足了消费者的审美需要，又对审美趣味起到了一定的指引和提升作用。

Mr. Shen Peng's comments on Wang Zhian's Calligraphy:

Mr. Wang Zhian's writing style of thin gold calligraphy is neat and elegant, with a neat pen, simple and convenient flow, and strict law. Although the characters are independent, they are fluent in nature. Its shape is slightly vertical, its center of gravity is stable, and its central court is wide. The aesthetic orientation is mainly centered on "Zhong Zheng", but not by surprise. Intelligent Wang Zhian also knows that the thinking pattern has both positive and negative duality, and understands consistency between stability and novelty. He is good at summarizing experience from extensive learning and learning from childhood, and then returning to practice to practice the ability to improve the calligraphy level. Therefore, the harmony between "elegance" and "vulgar" of Mr. Wang Zhian's thin gold calligraphy art is not to cater for the aesthetic taste of art consumption in the tide of mass culture and commodity economy, but not only to meet the aesthetic needs of consumers but also to guide the aesthetic taste at a proper starting point. Promotion.

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